Skip to content
  • The Critter
  • About
  • Writers
  • Contact
  • Advertising
The Critter

The Critter

we like what we write

  • The Critter
  • About
  • Writers
  • Contact
  • Advertising

Profile: Castaways – Hitting the sweet spot

Profile: Khongolose Khommanding Khomissars – The khorrupt get their just desserts

Hedda Gabler: Signposted to the end

A Doll’s House, Part 2: Hard act to follow

Spin Cycles: A hill to climb

Mother City gig guide: Faustus returns

The Meat Room: Bushveldt thriller guts apartheid’s twilight

Tag: Wessel Pretorius

Power games
Reviews Theatre

Power games

Steve Kretzmann 23rd November 2015

That the maids Claire and Solange in Jean Genet’s The Maids have lost their grip on rationality is clear from the outset. Their roleplay, heightened language and dramatic speech give … Read More

David ViviersJean GenetMelissa HaidenPhilip RademeyerThe MaidsWessel Pretorius Comment on Power games
Immaculate Conception
Reviews Theatre

Immaculate Conception

Steve Kretzmann 26th September 2015

[Al Julle Volke is 80% Afrikaans. Die review is 100% Engels. My understanding-Afrikaans is pretty ok; my Afrikaans-skrywery is nie so goed nie…] Directed by Nico Scheepers and Wessel Pretorius, the work … Read More

Al Julle VolkeCape Town FringeGreta PietersenJubilee HallLudwig BingeNico ScheepersWessel Pretorius Comment on Immaculate Conception
Reviews Theatre

Undone: The poetry of unhappiness

Steve Kretzmann 26th October 2014

All families are dysfunctional to a greater or lesser degree. We’re all flawed, and can only hope our children will forgive us. Such forgiveness usually happens when they have children … Read More

Alfred RietmanUndoneWessel Pretorius Comment on Undone: The poetry of unhappiness
Reviews Theatre

Accomplished Undone

Sarah Roberson 5th July 2014

Undone has deservedly won a Standard Bank Ovation Award. Wessel Pretorius wrote, directed, and excels in this beautifully forged work. Pretorius takes us on the deeply personal journey of klein … Read More

Afrikaans theatreArtscapefringeGrahamstownNational Arts FestivalStandard Bank Ovation AwardUndoneWessel Pretorius Comment on Accomplished Undone

Categories

Archives

  • May 2025
  • March 2025
  • February 2025
  • December 2024
  • November 2024
  • August 2024
  • July 2024
  • June 2024
  • May 2024
  • April 2024
  • March 2024
  • February 2024
  • September 2023
  • August 2023
  • July 2023
  • June 2023
  • May 2023
  • March 2023
  • February 2023
  • November 2022
  • October 2022
  • September 2022
  • August 2022
  • July 2022
  • June 2022
  • May 2022
  • April 2022
  • March 2022
  • February 2022
  • November 2021
  • September 2021
  • August 2021
  • July 2021
  • June 2021
  • May 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • November 2019
  • October 2019
  • September 2019
  • August 2019
  • July 2019
  • June 2019
  • May 2019
  • March 2019
  • February 2019
  • December 2018
  • November 2018
  • October 2018
  • September 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • October 2017
  • September 2017
  • July 2017
  • June 2017
  • April 2017
  • March 2017
  • February 2017
  • January 2017
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • April 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • October 2014
  • September 2014
  • July 2014
Theatre

A Doll’s House, Part 2: Hard act to follow

Steve Kretzmann 5th May 2025Comment on A Doll’s House, Part 2: Hard act to follow

Rejecting her husband’s disparagement, Nora Helmer walks out the door, leaving him and two small children behind. That was the final scene of Henrik Ibsen’s A Doll’s House, first performed … Read More

Theatre

Spin Cycles: A hill to climb

Steve Kretzmann 1st March 2025Comment on Spin Cycles: A hill to climb

Of course Jamie-Lee Money is on a stationary bike at the start of the show, it’s the premise of her one-hander, spelled out in the title: Spin Cycles. For the … Read More

Gig Guide

Mother City gig guide: Faustus returns

Steve Kretzmann 27th February 2025Comment on Mother City gig guide: Faustus returns

All we want to say is: billionaires, like Musk and his fellow Trump bootlickers, must just vokof to Mars. Also: having a good time while being kind is an act … Read More

Literature

The Meat Room: Bushveldt thriller guts apartheid’s twilight

Steve Kretzmann 20th December 2024Comment on The Meat Room: Bushveldt thriller guts apartheid’s twilight

The fourth sentence is cliched and the second sentence has a contradiction in the tenses. This is the kind of thing that happens when you have to self publish because … Read More

Stay in the News

Steve Kretzmann 18th May 2025

Hedda Gabler: Signposted to the end

Steve Kretzmann 5th May 2025

A Doll’s House, Part 2: Hard act to follow

Steve Kretzmann 1st March 2025

Spin Cycles: A hill to climb

Steve Kretzmann 27th February 2025

Mother City gig guide: Faustus returns

Steve Kretzmann 20th December 2024

The Meat Room: Bushveldt thriller guts apartheid’s twilight

©copyright 2023, The Critter.