{"id":1644,"date":"2016-09-29T14:45:18","date_gmt":"2016-09-29T12:45:18","guid":{"rendered":"http:\/\/thecritter.co.za\/?p=1644"},"modified":"2016-09-29T14:45:18","modified_gmt":"2016-09-29T12:45:18","slug":"the-gruffalo","status":"publish","type":"post","link":"https:\/\/thecritter.co.za\/?p=1644","title":{"rendered":"The Gruffalo: Kids of the world unite!"},"content":{"rendered":"<p><span style=\"font-size: large;\"><a href=\"http:\/\/thecritter.co.za\/wp-content\/uploads\/2016\/09\/gruffalo.jpg\"><img decoding=\"async\" loading=\"lazy\" class=\"size-medium wp-image-1648 alignright\" src=\"http:\/\/thecritter.co.za\/wp-content\/uploads\/2016\/09\/gruffalo-300x210.jpg\" alt=\"gruffalo\" width=\"300\" height=\"210\" srcset=\"https:\/\/thecritter.co.za\/wp-content\/uploads\/2016\/09\/gruffalo-300x210.jpg 300w, https:\/\/thecritter.co.za\/wp-content\/uploads\/2016\/09\/gruffalo.jpg 614w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>With a roar amid screeches of joy, <em>The Gruffalo<\/em> has jumped onto our African stage.<\/span><\/p>\n<p><span style=\"font-size: large;\">T<\/span><span style=\"font-size: large;\">he West End smash-hit of writer Julia Donaldson&#8217;s and illustrator Axel Scheffler&#8217;s\u00a0picture book (which sold 13 million copies), is playing to solid houses at the Cape Town Fringe at its headquarters in City Hall.<\/span><\/p>\n<p><span style=\"font-size: large;\">It is<\/span><span style=\"font-size: large;\">\u00a0lovingly, wittily and deftly directed by prolific Cape Town director, Tara Notcutt, and\u00a0<\/span><span style=\"font-size: large;\">stars the expressive Ayanda Nondiwana as the Gruffalo,\u00a0<\/span><span style=\"font-size: large;\">Nombasa Ngoqo as mouse, with and Sisonke Yafele as fox, snake and owl.<\/span><\/p>\n<p><span style=\"font-size: large;\">As it travels through SA thanks to its producers, the National Arts Festival, The Gruffalo will become increasingly South Africanised and will get a local soundtrack, said NAF CEO Tony Lankester.<\/span><\/p>\n<p><span style=\"font-size: large;\">The set is a jolly forest, halfway between a tropical island and a European pine plantation. Can&#8217;t wait to see a few aloes and euphorbias tucked in there.<\/span><\/p>\n<p><span style=\"font-size: large;\">There was some slick use of props, such as the leaves which turned into a butterfly, and Guy Nelson&#8217;s lighting was a gentle embrace.<\/span><\/p>\n<p><span style=\"font-size: large;\">Nondlwana stands out as a fine Gruffalo. He brings energy and edge in his fantastically bearish, Michael-Jackson-goes-bossies multi-piece costume, while Ngoqo is dear and impish as the mouse in a classic giant-versus-tiny person dichotomy. <\/span><\/p>\n<p><span style=\"font-size: large;\">Sisonke Yafele&#8217;s militaristic Owl, with his many medals was an intriguing choice which combined strongmen around the world with the big man in Africa with day-glo orange specs.<\/span><\/p>\n<p><span style=\"font-size: large;\">Fox was a dapper flapper, but snake, as a hip-shaking Mexican sensation was outstanding. Moms and dads were amused at one particular pelvic gyration.<\/span><\/p>\n<p><span style=\"font-size: large;\">There might need to be either some trimming or acceleration to keep attention levels pumped three quarters in, \u00a0but the kids had a marvellous time \u2013 with many varied responses (such as the kid who called out all the lines and one who daintily and deliberately went through her packed lunch) drawing smiles from adults, who sang and clapped along with gusto.<\/span><\/p>\n<p><span style=\"font-size: large;\">It was wonderful when the Gruffalo got really close (spoiler alert) and the ending was one big party.<\/span><\/p>\n<p><span style=\"font-size: large;\">At a time of great social division and unspeakably bad adult behaviour, it is encouraging that a children&#8217;s fantasy show is bringing our children across the globe together to have thrills and fun in a safe, comfortable space.<\/span><\/p>\n<p>The Gruffalo is on at the Cape Town Fringe until 3 October. Bookings and details <a href=\"https:\/\/capetownfringe.co.za\/events\/the-gruffalo\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>here<\/strong><\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>With a roar amid screeches of joy, The Gruffalo has jumped onto our African stage. The West End smash-hit of writer Julia Donaldson&#8217;s and illustrator Axel Scheffler&#8217;s\u00a0picture book (which sold &hellip; <a href=\"https:\/\/thecritter.co.za\/?p=1644\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":1648,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[10,11],"tags":[311,804],"_links":{"self":[{"href":"https:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts\/1644"}],"collection":[{"href":"https:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1644"}],"version-history":[{"count":0,"href":"https:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts\/1644\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/media\/1648"}],"wp:attachment":[{"href":"https:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1644"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1644"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1644"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}