{"id":3660,"date":"2019-09-10T20:43:14","date_gmt":"2019-09-10T18:43:14","guid":{"rendered":"http:\/\/thecritter.co.za\/?p=3660"},"modified":"2019-09-22T22:03:01","modified_gmt":"2019-09-22T21:03:01","slug":"becoming-gil-hockman-breaks-through-the-loops","status":"publish","type":"post","link":"http:\/\/thecritter.co.za\/?p=3660","title":{"rendered":"Becoming: Gil Hockman breaks through the loops"},"content":{"rendered":"<p class=\"western\"><strong>Solo musos on guitar, synthesiser and feedback loop. They pop up at weird festivals in rural towns, like the olive festival in Riebeeck-Kasteel, or the pumpkin festival in Heidelberg. They\u2019re ubiquitous and they all sound like Jeremy Loops.<\/strong> Actually they all might be Jeremy Loops. Not that there\u2019s anything wrong with Jloo, thousands adore him, it\u2019s just his voice strikes the wrong note for me. Him and Jack Johnson; whatever they choose to sing about, they sound ultimately happy and self fulfilled, as if life, all told, is easy. Which is a lie.<!--more--><\/p>\n<p class=\"western\">I\u2019m glad I didn\u2019t know Gil Hockman was in the solo looping synthesiser singer songwriter mould when, two years after he emailed me his latest album <i>Becoming<\/i>, I gave it a listen.<\/p>\n<p class=\"western\">There\u2019s a delicious heaviness in his voice, even on an unusually upbeat track such as Talking To A Man, which has a style and beat reminiscent of Suzanne Vega\u2019s Tom\u2019s Diner, but also very much unlike. It\u2019s catchy but dark, and the album goes from there to Top Of The Hill, which flirts with being dreary but rather achieves a blissful dreaminess of the kind Leonard Cohen or Mazzi Star achieve, with the loops forgone and stripped down to the essence of guitar playing singer with lyrics such as \u201cAll our problems are the same \/ we only wish that they were different \/ so we\u2019d have someone to blame\u201d.<\/p>\n<p class=\"western\">And then he plays with some boppy electronica on the next track, Coming In. Here his voice raises an octave but he could still be the lead in some heavy Goth band.<\/p>\n<p class=\"western\">His chords are mostly simple, with simple time signatures even as they are divided into fractions by electronic synth floating and trickling through, but the quality of his lyrics, which on <i>Becoming <\/i>are intelligent, poetic, and alluring, together with the vocal weight around which his compositions seem to revolve, makes for a compelling, even slightly addictive, album.<\/p>\n<p class=\"western\">You should also look up his version of Nirvana\u2019s Something In The Way.<\/p>\n<p class=\"western\">Search for Gil Hockman on Soundcloud and buy his album, either digital or on CD, through his website <span style=\"color: #000080;\"><span lang=\"zxx\"><u><a href=\"http:\/\/www.gilhockman.com\/\">www.gilhockman.com<\/a><\/u><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Solo musos on guitar, synthesiser and feedback loop. They pop up at weird festivals in rural towns, like the olive festival in Riebeeck-Kasteel, or the pumpkin festival in Heidelberg. They\u2019re &hellip; <a href=\"http:\/\/thecritter.co.za\/?p=3660\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3661,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_mi_skip_tracking":false},"categories":[7,10],"tags":[118,291,378],"_links":{"self":[{"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts\/3660"}],"collection":[{"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=3660"}],"version-history":[{"count":2,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts\/3660\/revisions"}],"predecessor-version":[{"id":3712,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/posts\/3660\/revisions\/3712"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=\/wp\/v2\/media\/3661"}],"wp:attachment":[{"href":"http:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=3660"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=3660"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/thecritter.co.za\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=3660"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}